Cécile McLorin Salvant

About

Cécile McLorin Salvant is a composer, singer, and visual artist. The late Jessye Norman described Salvant as “a unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings.” Salvant has developed a passion for storytelling and finding the connections between vaudeville, blues, theater, jazz, baroque, and folkloric music. Salvant is an eclectic curator, unearthing rarely recorded, forgotten songs with strong narratives, interesting power dynamics, unexpected twists, and humor. Salvant won the Thelonious Monk competition in 2010. She has received three consecutive Grammy Awards for Best Jazz Vocal Album for The Window, Dreams and Daggers, and For One To Love, and was nominated for the award in 2014 for her album WomanChild. 

In 2020, Salvant received the MacArthur fellowship and the Doris Duke Artist Award. Nonesuch Records released “Ghost Song” in March 2022, and has since gone onto receive two Grammy Nominations as well as appearing on a number of year-end best-of lists for 2022. In 2023, she released the highly anticipated album Mélusine, via Nonesuch, a daring left turn that is mostly sung in French, along with Occitan, English, and Haitian Kreyòl. Salvant’s latest work, Ogresse, is a musical fable in the form of a cantata that blends genres (folk, baroque, jazz, country) for a thirteen-piece orchestra of multi-instrumentalists. Her visual art can now be found at Picture Room in Brooklyn, NY.

About Melanie Charles

There are very few artists whose sound can capture the sentiments of a generation. The Brooklyn born and raised Melanie Charles is one of these artists. Over the past few decades, she has made a name for herself through dynamic engagements with jazz, soul, and R&B. Her bold genre-bending style has been embraced by a range of artists including Wynton Marsalis, SZA, Mach-Hommy, Gorillaz, and The Roots. In 2021, she appeared on NPR’s Tiny Desk and stunned with her eclectic style. Through it all, she has remained committed to making music that pushes listeners to consider new possibilities—both sonically and politically. “Make Jazz Trill  Again,” a project that she launched in 2016, demonstrates her allegiance to everyday people, especially the youth and is focused on taking jazz from the museum to the streets. “I love jazz, I really fell in love with it deeply. But I was interested in young people interacting with it,” Charles says. The album Y’all Don’t (Really) Care About Black Women is reflective of Charles’ tremendous versatility and imagination as an artist but of also her deep care for community.